The Man from U.N.C.L.E.

Visual Identity
Motion Design

A reimagined wordmark and title sequence for the 1964 television program. The goal was to capture the sensationalized, cosmopolitan excitement of the post-war espionage era. The show’s concept, of two spies with contrasting affiliations and personalities cooperating for the greater good, is symbolized through the predominant use of two colours overlapping each other.